A tragic love story about an
enslaved Ethiopian princess and an Egyptian commander.
Giuseppe
Verdi’s AIDA was presented by Victoria State Opera at Carlton Football Ground,
Princes Park, Melbourne, 2, 4, 6 March 1989.
PERFORMANCE CUSTUMES
Aida is one
of Verdi's greatest triumphs, telling a story packed full of human drama and
tragedy, with a hugely effective ending that delivers a real sting in the tail.
The story
tells of an Ethiopian (Kushite) princess, Aida, that revolves around its eponymous
character, an Ethiopian princess who was captured and made into a slave in
Egypt. No particular period was given, although the story takes place in the
Old Kingdom which was the third millennium BC, the era between the third and
sixth dynasties, 2686 – 2181 B.C. The action plays out against conflict between
Ethiopia and Egypt. Both sides are at war, but principal characters between
both sides find that they have come together – most notably, Aida and the
Egyptian military commander, Radamès, who has fallen in love with Aida.
LIVE
PERFORMANCES AT AIDA (CLICK
ON IMAGE TO VIEW ‘ME’)
How can Aida
fall in love with someone who is on the opposing side and vice versa? So it's
that very conflict that gives the Aida opera its real edge. Love vs duty. Love
vs patriotism. Love vs honour. Battles in which no happy ever after ending is
guaranteed. Brimming with human passion and it seems many of its characters
wear their hearts on their sleeves. Initially, Aida keeps her real identity a
secret. Radamès, in turn, is adored by Amneris, the daughter of the Egyptian
king.
However, the
feeling is not a mutual one and Amneris even suspects that this is the case.
Suspecting Aida and very much the jealous woman scorned by Radamès' love for
Aida, Amneris uses duplicitous to the point where she tricks the Ethiopian princess
into declaring her true feelings after falsely claiming that Radamès has died
in combat. After Radamès returns successful from battle and a hero, the king
says that he can have anything he wishes. However, his request for the release
of Aida and her father Amonasro (now hostage) is denied.
Amonasro is
also a very much passionate man, and in this case, that passion is fuelled by a
love of his country. He cannot bear the thought of his daughter falling for an
Egyptian warrior and in the third act, he denounces his daughter, casting her
off as a slave of the pharaohs.Instead, the Egyptian king proclaims that Radamès will be wed to his daughter and will be a successor to the throne. It's also Amneris who finds Radamès with Aida and raises the alarm. The irony is that in doing so, she starts the chain of events that lead to the final fate of Radamès.
However, Radamès arranges a clandestine meeting with Aida who has been instructed by her father to locate the Egyptian army. He not only suggests a safe route of escape, but also the location of the Egyptian army to Aida. Radamès is found with the enemy and is promptly captured and sentenced to death. Despite Amneris' pleas for mercy, Radamès is still taken to a vault in which he is to be buried alive. However, Aida is waiting there for him, and shares his death.
I pretty much enjoyed doing my act as the princess’s accompanying men with bunch of fun loving casts. It’s a dramatically interesting story that excited minds of the audience and resulted in one of the world's opera masterpieces.